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Acurious phenomenon that ac-companies certain guitar compa-nies is an inability to translate success from one medium to another. For instance, Martin has never been able to transfer its reputation for high-quality acoustics to electric guitars. And Fender has never been able, on its own, to really succeed in Vintage solidbody v electric guitar names acoustic guitars. Instead, it purchased Guild. Instead, Ovation finally purchased Hamer. Of course, as the philosopher, Hegel, so neatly noted long ago, the paths tend to join up again, and the resulting synthesis works out fine in the end.

It certainly worked that way for Charlie Kaman, whose choice of paths ultimately led to the synthesis in more ways than one! Ovation guitars are the brainchild of Charles H. Kaman rhymes with commandborn inthe son of a construction crew foreman. At 12 or 13, Kaman began playing an old Stella acoustic guitar, later switching to a Martin C Another passion involved the physical sciences. Kaman subsequently attended the University of Washington, D. Then, one weekend his combo got the biggest gig of its career — opening for Tommy Dorsey and his orchestra.

Charlie was hot that night, and Dorsey took notice. Which path does the son of a construction foreman pursue? The uncertain, fleeting glory of the entertainment industry, or the unknown possibilities of putting craft in the air? Aviation and Independence After graduating, Kaman got a job developing the Sikorsky helicopter. Ironically, his assignment involved transmission of vibration from the wood rotor blades to the body. Kaman helped come up with a solution that combined wood with a new synthetic plastic material that provided Vintage solidbody v electric guitar names. However, management was not interested in his ideas.

Ideas in hand, in Kaman launched out on his own and started the Kaman Corporation. For two decades he built a successful business in military helicopters. McNamara cancelled an order for helicopters. Diversification was in order. Diversification Kaman was experienced in making items of wood, metal, and high-tech material requiring high tolerances.

He considered expanding the business into everything from surfboards to sailboats, candy packaging machines to Winnebagos, but these industries were all well-established and well-financed. This is where the roads came back together. Kaman continued to play guitar during his building of the helicopter business.

He kept his guitars hanging on the wall, instead of in the case, so he could grab one if he felt like playing. As a result he ended up with lots of cracked backs, including one on a favorite Martin. Charles traveled down to Nazareth to get the guitar repaired and Fred Martin gave him a factory tour. Kaman offered to buy Martin guitars, but was politely turned down. Shortly thereafter, Kaman visited the Harmony factory in Chicago and offered to buy it from Charles Rubovitz, who also declined.

Guitars were still hot properties in those days. Thrice spurned, Kaman decided to do it himself. Guitars Back at the blade factory was a worker who played violin. Kaman pulled him out of chopper blades, and together they set up a guitarmaking operation. The problem that had led to Martin and the idea of making guitars in the first place also led Kaman to the idea of using synthetic materials in guitars.

Kaman and his technicians began by building traditional square-backed guitars, but by the sixth prototype were using oscilloscopes to develop the now familiar bowl-backed shape, its spherical shape being self-reinforcing, thus eliminating the need for bracing.

After some experimentation, the carved, round-crowned Ovation three-and-three headstock was developed. The modern Ovation guitar with a Lyracord back was born. Byrdland Kaman began producing guitars inand Charles went on the road to promote his new creation. His first stop was a visit to his old stomping grounds, Washington, D. Byrd was impressed and felt the guitar — which was quite loud — had considerable potential.

Byrd recommended Kaman show his guitar to folk singer Josh White, who was performing in town at the time. Kaman promptly did so, and for White, it was love at first strum. Byrd did eventually get a classical guitar from Ovation, and Vintage solidbody v electric guitar names with it for many years. Ovation guitars progressed slowly.

While they created a lot of buzz, the new idea was, by and large, viewed skeptically. UntilOvation guitars struggled.

Two models were available initially, the Thunderhead and the Tornado. These were f-hole semi-hollowbody thinline, equal double-cutaway guitars with German-made bodies, bolt-on Ovation necks, and Schaller hardware.

Vintage solidbody v electric guitar names had Schaller pickups with metal covers, a row of poles along each edge, and split, small, black inserts in the middle.

Each was available with or without vibrato. The Thunderhead had two humbuckers, gold hardware, a master volume with two tone controls, a pickup blender knob, and a phase reversal switch.

Vintage solidbody v electric guitar names had DeArmond pickups with metal covers, a large black insert with nonadjustable poles, plus six tiny adjustable pole Desi ass fucking gif along one edge. The tops and backs featured figured maple laminates.

Colors options included a wine red, sunburst natural, and green on Thunderhead only. The Thunderhead K had a trapeze tail, the K a vibrato. The Tornado K with trapeze, K with vibrato was a downscale version with plain top, chrome hardware, two volume and two tone controls no phaseand the Schaller pickups. At the same time, the vibrato-equipped models also changed, the K becoming the K and then the K The vibrato Tornados went from K to K and then K The initial Typhoon basses had slightly smaller bodies than the guitars, with stubbier, more flared horns.

The K Typhoon II was a two-pickup model with a three-way select. It introduced the K Typhoon V bass, about which no information is available, but based on the Eclipse, the difference may have been pickups.

The K Eclipse was also introduced. This was a guitar offered only in a black finish Best beefy men naked looks somewhat like Vintage solidbody v electric guitar names. It had chrome hardware, no binding, dot inlays, three-way select and two volume and two tone controls. The pickups had metal covers with black inserts and a single blade-style pole.

However, the breakthrough occurred when the company picked up the endorsement of pop star Glen Campbell, who began his career as a session Vintage solidbody v electric guitar names and folk singer, at one point touring behind Ricky Nelson. Campbell related his first encounter with Kaman in an interview a few years back, and he was immediately attracted to the Ovation concept.

I kept pressing Ovation to come up with a solution. Campbell adopted it, and Ovation had its ticket to commercial success. Jim Croce and Jim Messina were other early artists to take to it. This dramatically increased channels of distribution. Through established business connections, the purchase of Coast also marked the beginning of a long, fruitful relationship with Takamine, the Japanese manufacturer for whom Kaman Music remains the exclusive distributor.

Fender, likewise, was moving away from Jazzmasters and Jaguars, concentrating on its earlier successes, the Stratocaster and Telecaster. Into Battle In the face of this mounting conservatism, Ovation entered the solidbody marketplace with an in-your-face design Vintage solidbody v electric guitar names with the radicalism of its Lyracord bowl-backed acoustics.

As you might expect, Vintage solidbody v electric guitar names the unusual shape Vintage solidbody v electric guitar names upper edge, deep single cutaway at the double octave, s-curved lower edge, and asymmetrically scooped out lower bout these also featured some innovations. Both had two-octave bolt-on Ovation fingerboards, the former unbound with dots, the latter bound with diamonds.

Both had mahogany bodies, the Breadwinner with a kind of spackle finish white, black, tan or bluethe Deacon a sunburst finish. Early Breadwinners had the jack on the back of the Cristiano ronaldo nude pictures, but this quickly migrated to the pickguard; some transitional examples have both jacks on the back and pickguard. These Ovation guitars were remarkably ergonomic, well-balanced when Vintage solidbody v electric guitar names and cradling comfortably on the knee if you preferred to sit.

Both had unique, wide, Toroidal contoured-cover pickups with 12 individual polepieces, and six rectangular, adjustable screws. But the real innovation was an onboard FET field-effect transistor preamp, arguably the first production active electronic system. Alembic, with support from the Grateful Dead, was exploring active pickup systems, but these were still basically custom-made instruments. Ovation was among the first to offer linear potentiometers to correlate movement with effect.

Controls inside were mounted on a circuitboard with individual trim pots that can be adjusted to control the volume of each pickup. In a market filled with increasingly good Japanese copies of Les Pauls, the Ovation offerings fell, well, flat, despite obvious high quality. The Preacher featured two Boy chubby nude teen cutaways, whereas the Viper sported more of a Les-Paul-style single cutaway, though neither would never be confused with a Gibson equivalent.

Their shape was, in fact, essentially a downsized version of the Ovation acoustic outline. The Magnum shape was derived from the earlier Breadwinner and Deacon, with more contouring. Preaching The Preacher was a relatively conventional mahogany guitar with two Ovation humbuckers, three-way select, two volume and two tone controls.

The humbuckers were smaller than typical, with metal covers and two rows of exposed adjustable polepieces. Two jacks for mono or stereo output were mounted on the side of the lower bout. The two-octave unbound rosewood fingerboard had dot inlays. Though no information is currently available on when the transition occurred, based on evidence from later UKs, it happened late, possibly around Deluxe pickups were active.

Later, the engraving disappeared and the bridge became metal.

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